I told myself when I was watching Capote that I probably wasn’t going to write about it. For some reason, writing about a near-recent film wasn’t as exciting as going on about films that have been out for decades or films that no one has ever heard of. We all know Philip Seymour Hoffman won the Oscar for Best Actor this year, but has anyone really seen Capote? Do you even know what it’s about?
I do. At least I do now. Before watching this movie, I had know idea who Truman Capote was, and I know that’s sad. Certainly any graduate with an English degree has heard of In Cold Blood, right? Well, not this little Bachelor.
Despite my ignorance, it didn’t take me long to catch on. Capote, hot off the success of his book Breakfast at Tiffany’s, picks up a copy of the New York Times to read about the grisly murder of a family of four living in Holcomb, Kansas. Taking off for a writing assignment for the New Yorker, Capote enlists the help of fellow writer Harper Lee, then soon-to-be Pulitzer Prize winner for the book To Kill a Mockingbird, and travels down to Kansas to get to the heart of the story.
Capote initially has some trouble getting the local authorities and residents to respect him and speak to him. Of course, he eventually makes his way into the story and almost by accident befriends on of the suspects in the murder, Perry Smith.
This movie reminded me a lot about what I enjoyed Downfall so much. I’ve been recently fascinated with villains. The downfall of Hitler, the mental state of cold-blooded killers — both films really gave me a lot to think about. Working at a newspaper, I often find myself on the right side of things passing “judgment” on those who break the law. Really, that’s not what I do at the paper, anyone is innocent before proven guilty, but by even mentioning that someone is “accused” of murder is tantamount to condemnation, often times. Sometimes I wonder if what makes people commit such horrible acts is really a fundamental state of evil or if it is just one person who was very, very lost.
There’s a moment at the end of Capote when you get to see just what pushed Perry to commit such a horrible act. It was a profound and fascinating moment and it made me want to read the book.
Hoffman does an excellent job wrestling with his hunger for critical acclaim and success and his persistent desire to aid his friend Perry. Of course, before Capote can move on with his life and finish In Cold Blood, Perry must exhaust all of his appeals and hung for the crimes he and codefendent Richard Hickock committed.
It’s a great film, and if you see it, I think you will find it more interesting than you thought.
